Saturday 18 November 2023

Suburban Home on UMFM 101.5 - Interview with Sekou Lumumba (drummer of Big Wreck)

 

Big Wreck's Sekou Lumumba (right): An Interview (all promo pictures and album artwork belong to their respective owners)

What are you listening to currently?

SL: I've been listening to the new Periphery album that came out this summer! Those guys always put out great music, and this is no exception.

How long have you been playing drums?

SL: I started playing drums when I was about 16; I originally played bass with some friends, but when they needed a drummer, I decided to try it out and got more and more comfortable with finding a simple rhythm. I started playing professionally in 1998 as a session/touring drummer, about 25 years ago.

How did you get the gig with Big Wreck?

SL: I mentioned previously, that I was doing some session and touring work early in my career. I had drummed with a Canadian R&B singer named Ivana Santilli. After that, I worked with a few more artists including Edwin & The Pressure [Edwin being the lead vocalist of fellow Canadian rock band I Mother Earth]. Somewhere around that timeline, I was picked up by Ian [Thornley] to play on his debut solo album [Come Again], and toured with them until 2005, with Ken Tizzard of The Watchmen also in the lineup. After 2005, I played with some more notable acts including Bedouin Soundclash for 2 years and Serena Ryder for 10 years, around the time when she was becoming one of the next big things in Canadian music. In 2020 or 2021, Ian called me up and asked if I could join them for some sessions for what would become Big Wreck's 7 EP series, we recorded about 15 songs in those sessions and I became their full-time drummer soon after, as their previous drummer was suffering through some medical issues that made it impossible for him to continue touring and drumming at 110%. 

Compared to the last series of EPs, was the writing and production process different at all, or was it similar? 

SL: I would say similar writing-wise, though I wasn't too involved with that side of things on the EP tracks. I was also not involved with the EP 7 series' pre-production, as I joined in the midst of that happening. For this release, I was there for the entire process, including writing. What I can tell you from experience, is that Ian is a great writer. He'll come in with a drum loop or drum machine part that he imagines the song had, plus his guitar parts for a rough demo. At that point, he'll kind of let me do whatever I want with the part.

What has the reception towards the new single been like? Big Wreck is always one band that loves experimenting, but this is by far the heaviest Big Wreck material I've heard. 

SL: I appreciate that man! Big Wreck gathers much influence from whatever we're all listening to at the time and therefore is an amalgamation of different sounds. From new and old fans alike, the reception has been super positive towards Bail Out, especially out on the road.

One thing that I have noticed about Big Wreck's legacy on commercial radio, as opposed to some of your contemporaries, is the lasting effect and play of some of your newer stuff (Albatross, etc.) Would you be able to speak on this, in some part?

SL: Certainly. Before I go on here, I would like to say Albatross just got gold-certified, which is really cool. What I will say, is that when we get put on a "nostalgia act" bill or festival with our friends including The Watchmen, The Tea Party, or whatever it may be, there is an understanding that a large majority of our setlist is comprised of our big commercial songs, or the songs that everybody grew up with on the MuchMusic charts. That's the difference between those sets and when we're able to play our own shows like we are currently.

What are some of your favorite venues that you've played in your career?

SL: Without Big Wreck, no doubt it has to be Red Rocks with Serena Ryder opening for OneRepublic. I saw multiple concerts there when I was younger, I was in awe of the venue. It was just an absolute dream to play there with Serena. With Big Wreck, I'd say History in Toronto. That is such a fantastic, huge venue that I believe holds about 2000 people, and sounds great no matter where you are, whether you're on the floor or up in the rafters. I saw Turnstile there this year, and that was such a wonderful, energetic show, with a huge, huge drum sound and great vocal sound.

What are some of your favorite parts about touring? Least favorite?

SL: My favorite parts have to be the people that we meet and see singing along with the songs in the crowd. You even get a person here or there who gets teary-eyed or cries during a song - I love that, it means they care. As for least favorites, there's not a whole lot I could say except for after when were in the tour bus, and everybody is cranky and farting in the bunk beds *laughs*.

Do you ever suffer from post-concert/post-tour depression?

SL: To be honest, I don't really. As much fun as I have on tour, I always can't wait to get back home to see my parents and my dog. Especially with this tour, being we started in early November, we will not be back home until a few days before Christmas. Another thing is that on tour off-season, I'm always trying to find work, whether it's at a wedding or a fill in. One time, I played a big show, and a girl wanted me to sign her chest. The week after that, I was at a bar mitzvah as a drummer waiting for the food line, and was told to wait in the kids' food line, so I was waiting with these kids for some chicken fingers and macaroni and cheese, *laughs*.

Are you a gamer?

SL: Absolutely, I love The Last of Us. It is likely my favorite game series besides Bioshock. Other games that I have loved or checked out recently include Alan Wake and Starfield. I got about 100 hours in Starfield, or whatever is enough to finish the game. Let me tell you, I didn't end up liking it all that much because I got stuck. I was doing all the tasks, mining and gathering all the resources and what have you, and then my marker for my home base disappeared, meaning I couldn't find my home anymore! Regardless, I think it's a nicely made game but there was some glaring issues like that that made me more critical about it.

Thanks for talking to me, Sekou! We'll see you in December at The Regent Casino here in Winnipeg.

SL: Thanks! I used to live in Winnipeg, so it'll be cool as always to be back. I'm very excited to continue the rest of the tour with Big Wreck! 

Check out Sekou's Instagram and Big Wreck's music via the links below. 

Sekou Instagram | Big Wreck Instagram | Big Wreck Facebook | Big Wreck Merch

Linktree (streaming)


"Bail Out" out now
"Pages" EP out November 24th, 2023 via Sonic Unyon


-Fish

Interview conducted as part of Suburban Home on UMFM 101.5 (Wednesdays 3-4pm)











 

 



 


 

 

 

 

 

 

 

Thursday 9 November 2023

Moneen/Sparta 20th Anniversary Shows w/ Chastity Show Review - November 7th, 2023 (Winnipeg, MB @ The Park Theatre)

 

Photo courtesy of Riley Taylor/@larvalungs/www.moneenlovesyou.com

Brampton's own Moneen took on Winnipeg for the first time since 2009 with a stellar support lineup: New Mexico's Sparta (who were celebrating 20 years of their debut, Wiretap Scars), and Chastity from Whitby, Ontario. This is a Dine Alone Records fans' wet dream.

Moneen are out on tour performing 'Are We Really Happy With Who Are Right Now?' in it's entirety for it's 20th anniversary, and a handful of fan favorites from Red Tree and The Theory of Harmonial Value (which just appeared on streaming for fans to enjoy, alongside their debut EP 'Smaller Chairs...')

 Canada's emo-grunge prince Chastity went on at 7:30, and performed a great 30 minute set. I have unfortunately missed every time Brandon has came here but I will not make that mistake again, as I've fallen in love with his music over the course of the year; it was a welcome surprise to see Chastity announced as support on this tour. Performing a selection of his well known songs which include 'Sun Poisoning' and 'When You Go Home I Withdrawal', as well as a handful of early songs such as 'Manning Hill'. In talking with him and his current touring bassist (who performs dream pop music under the name 'ellis'), they mentioned that they will be coming back in the spring to perform a longer set, please pay attention to that!

After that was Sparta, who performed the entirety of Wiretap Scars from 2002. Sparta's Jim Ward was one of the co-founders of At The Drive-In, and appeared on 3 of their albums until they called it quits in 2001. Jim co-founded Sparta soon after with other former members of ATDI (with Cedric and Omar forming The Mars Volta), and rejoined ATDI for a reunion in 2012, leaving permanently after this. Sparta's current lineup consists of Ward on guitar and vocals, Matt Miller on bass and vocals, and Neil Hennessy (of Joyce Manor/Lawrence Arms/The Falcon...) on drums. Jim is one of my guitar heroes, so seeing their energy, with how they crafted their ambient guitar transitions in between songs and more, was fascinating to watch. It was nearly an hour of watching a great group of people play great music, no stopping and talking.

The headliner was of course, Moneen. They played the entirety of Are We Really Happy With Who We Are Right Now? along with an encore that included The Passing of America, Locke and Tonight, I'm Gone. Kenny Bridges, Chris Hughes and Erik Hughes stage presence remains energetic as it was in the old Moneen music videos for "Are We Really Happy..." and "Start Angry", and Peter Krpan never misses a beat, whether it's a fast, more progressive song or one of the "slower", more dynamic songs ("Tonight, I'm Gone"). A huge highlight of the show included Kenny sliding up and down the Park Theatre's beer-drenched wooden floor and (jokingly) failing to do a somersault/frontflip - but being crowd surfed back to the stage in good condition to get to his guitar. It brings me back to watching Moneen's Jubilee Hall show from 2003 (the show they played with Alexisonfire in New Brunswick with Jersey opening), which can be found on YouTube. It was an emo-core show in the purest form - finger pointing, body shoving and great feeling from the boys in Moneen. Big love to Moneen, Sparta and Chastity for showing Winnipeg how it's done, and great job to everyone on selling out the venue on a TUESDAY night.

-Fish 

Go check out the Moneen webstore, where you can buy cassettes, vinyl, shirts and much more (pay attention, because they might put up the 20th anniversary vinyl too) 

https://www.moneenlovesyou.com/

 

 

 

 






The Beaches "Blame My Ex Tour" Show Review - November 5th, 2023 (Winnipeg, Manitoba @ The Burton Cummings Theatre)

 

The Beaches w/ special guests Beach Weather show review (November 5th, 2023) (poster courtesy of The Burton Cummings Theatre website)

Toronto indie/alt-pop four-piece The Beaches took the stage alongside Beach Weather on Sunday night at the Burton Cummings Theatre, as part of the 2023 Blame My Ex tour, in support of their album of the same name, which came out in September on AWAL Recordings.

The night opened promptly at 8pm, with Beach Weather from Massachusetts, USA. They play a brand of jangly indie and pop rock similar to most of The Beaches recent stuff, however I would more accurately compare them to a band such as The Neighborhood, The Wallows or Hotel Ugly; something more in that laidback indie feel.

Beach Weather played about 40 minutes of their material, which is great for a highlight reel of what they offer in terms of their tunes. They played a handful of their popular songs from their two 2016 EP's, 'Chit Chat' and 'What a Drag', and some from their most recent album, 'Pineapple Sunrise', including their viral-on-the-internet hit, Sex, Drugs, Etc. (which was first released on their debut EP, but rereleased years later). The bands' live stage presence and vibe oozes sunny day beach vibes, and frontman Nick Santino (of A Rocket to the Moon fame) oozes sexual attitude with a great voice. What I enjoyed about these guys live presence the most, is their dynamics; a tendency to go from a great power pop tune to an emotional, rock 'n roll destruction fest with their instruments in mere minutes. 

The Beaches came on stage at 9:10pm, and delivered a set of both new and old hits and album cuts, including their latest album being played in full. Other favorites that aren't found on Blame My Ex include Grow Up Tomorrow, T-Shirt and Money. The only song that I noticed that was notably missing from any of their setlists (including this one) was Lame, but I'm not complaining. A major highlight of their set included Nick from Beach Weather coming on stage to sing with Jordan for My Body ft. Your Lips. Other notable moments included the crowd chanting enthusiastically during the song that changed The Beaches lives', 'Blame Brett', which went viral on TikTok this year, as well as the acoustic performance of If A Tree Falls - a personal favorite track of mine from this album.

The sold-out Beaches show at the Burton Cummings Theatre lived up to my expectations, and even smashed some. I've been looking into going to more indie/pop-centered shows, and this one was an extremely fun one, and a band I'll be looking more into as well as attending more shows in the future. I think the only thing that hindered my excitement a little bit was just how big the sold-out crowd was, and being pushed back slowly (I was on the floor for reference). Overall, I'll give this experience a 4/5 stars. Much love to The Beaches and Beach Weather, and I wish them well on the rest of their tour, where they go out to western Canada, then Europe later this month and USA (again) next year!

-Fish 

The Beaches 'Blame My Ex' now available on streaming services and thebeachesband.com

Blame My Ex Streaming

The Beaches Music, Merch + More