Showing posts with label canada. Show all posts
Showing posts with label canada. Show all posts

Saturday, 18 November 2023

Suburban Home on UMFM 101.5 - Interview with Sekou Lumumba (drummer of Big Wreck)

 

Big Wreck's Sekou Lumumba (right): An Interview (all promo pictures and album artwork belong to their respective owners)

What are you listening to currently?

SL: I've been listening to the new Periphery album that came out this summer! Those guys always put out great music, and this is no exception.

How long have you been playing drums?

SL: I started playing drums when I was about 16; I originally played bass with some friends, but when they needed a drummer, I decided to try it out and got more and more comfortable with finding a simple rhythm. I started playing professionally in 1998 as a session/touring drummer, about 25 years ago.

How did you get the gig with Big Wreck?

SL: I mentioned previously, that I was doing some session and touring work early in my career. I had drummed with a Canadian R&B singer named Ivana Santilli. After that, I worked with a few more artists including Edwin & The Pressure [Edwin being the lead vocalist of fellow Canadian rock band I Mother Earth]. Somewhere around that timeline, I was picked up by Ian [Thornley] to play on his debut solo album [Come Again], and toured with them until 2005, with Ken Tizzard of The Watchmen also in the lineup. After 2005, I played with some more notable acts including Bedouin Soundclash for 2 years and Serena Ryder for 10 years, around the time when she was becoming one of the next big things in Canadian music. In 2020 or 2021, Ian called me up and asked if I could join them for some sessions for what would become Big Wreck's 7 EP series, we recorded about 15 songs in those sessions and I became their full-time drummer soon after, as their previous drummer was suffering through some medical issues that made it impossible for him to continue touring and drumming at 110%. 

Compared to the last series of EPs, was the writing and production process different at all, or was it similar? 

SL: I would say similar writing-wise, though I wasn't too involved with that side of things on the EP tracks. I was also not involved with the EP 7 series' pre-production, as I joined in the midst of that happening. For this release, I was there for the entire process, including writing. What I can tell you from experience, is that Ian is a great writer. He'll come in with a drum loop or drum machine part that he imagines the song had, plus his guitar parts for a rough demo. At that point, he'll kind of let me do whatever I want with the part.

What has the reception towards the new single been like? Big Wreck is always one band that loves experimenting, but this is by far the heaviest Big Wreck material I've heard. 

SL: I appreciate that man! Big Wreck gathers much influence from whatever we're all listening to at the time and therefore is an amalgamation of different sounds. From new and old fans alike, the reception has been super positive towards Bail Out, especially out on the road.

One thing that I have noticed about Big Wreck's legacy on commercial radio, as opposed to some of your contemporaries, is the lasting effect and play of some of your newer stuff (Albatross, etc.) Would you be able to speak on this, in some part?

SL: Certainly. Before I go on here, I would like to say Albatross just got gold-certified, which is really cool. What I will say, is that when we get put on a "nostalgia act" bill or festival with our friends including The Watchmen, The Tea Party, or whatever it may be, there is an understanding that a large majority of our setlist is comprised of our big commercial songs, or the songs that everybody grew up with on the MuchMusic charts. That's the difference between those sets and when we're able to play our own shows like we are currently.

What are some of your favorite venues that you've played in your career?

SL: Without Big Wreck, no doubt it has to be Red Rocks with Serena Ryder opening for OneRepublic. I saw multiple concerts there when I was younger, I was in awe of the venue. It was just an absolute dream to play there with Serena. With Big Wreck, I'd say History in Toronto. That is such a fantastic, huge venue that I believe holds about 2000 people, and sounds great no matter where you are, whether you're on the floor or up in the rafters. I saw Turnstile there this year, and that was such a wonderful, energetic show, with a huge, huge drum sound and great vocal sound.

What are some of your favorite parts about touring? Least favorite?

SL: My favorite parts have to be the people that we meet and see singing along with the songs in the crowd. You even get a person here or there who gets teary-eyed or cries during a song - I love that, it means they care. As for least favorites, there's not a whole lot I could say except for after when were in the tour bus, and everybody is cranky and farting in the bunk beds *laughs*.

Do you ever suffer from post-concert/post-tour depression?

SL: To be honest, I don't really. As much fun as I have on tour, I always can't wait to get back home to see my parents and my dog. Especially with this tour, being we started in early November, we will not be back home until a few days before Christmas. Another thing is that on tour off-season, I'm always trying to find work, whether it's at a wedding or a fill in. One time, I played a big show, and a girl wanted me to sign her chest. The week after that, I was at a bar mitzvah as a drummer waiting for the food line, and was told to wait in the kids' food line, so I was waiting with these kids for some chicken fingers and macaroni and cheese, *laughs*.

Are you a gamer?

SL: Absolutely, I love The Last of Us. It is likely my favorite game series besides Bioshock. Other games that I have loved or checked out recently include Alan Wake and Starfield. I got about 100 hours in Starfield, or whatever is enough to finish the game. Let me tell you, I didn't end up liking it all that much because I got stuck. I was doing all the tasks, mining and gathering all the resources and what have you, and then my marker for my home base disappeared, meaning I couldn't find my home anymore! Regardless, I think it's a nicely made game but there was some glaring issues like that that made me more critical about it.

Thanks for talking to me, Sekou! We'll see you in December at The Regent Casino here in Winnipeg.

SL: Thanks! I used to live in Winnipeg, so it'll be cool as always to be back. I'm very excited to continue the rest of the tour with Big Wreck! 

Check out Sekou's Instagram and Big Wreck's music via the links below. 

Sekou Instagram | Big Wreck Instagram | Big Wreck Facebook | Big Wreck Merch

Linktree (streaming)


"Bail Out" out now
"Pages" EP out November 24th, 2023 via Sonic Unyon


-Fish

Interview conducted as part of Suburban Home on UMFM 101.5 (Wednesdays 3-4pm)











 

 



 


 

 

 

 

 

 

 

Thursday, 1 June 2023

Courage My Love

 

Photo credit: Anthony Chung

Ontario is no stranger to great pop rock and punk bands, both past and present. Like Pacific, Seaway, Bearings, Sum 41 and The Dirty Nil all come to mind. Courage My Love is no exception. If the name doesn't familiar, it's possible that you might know Phoenix and Mercedes' new band, Softcult. More about that in a minute. Courage My Love formed in Kitchener, Ontario, in 2009 as a pretty heavy pop punk and rock band featuring twin sisters, Phoenix and Mercedes Arn-Horn on drums/keys/backing vocals and guitar/vocals respectively. Joining them on bass was David Blake-Dickson on bass, who contributed to the recording of their first EP in 2011, For Now. He was replaced by Brandon Lockwood in 2012.

Sonically, in their early days, their material is for fans of bands who were up and coming at that time, such as Tonight Alive, Crystalyne (more Canadian music), Against the Current (they were a bit later. but worth the mention) and VersaEmerge, and even some of the big players in the game who came up earlier, such as Hey Monday and Paramore. They would later transition to a synthpop/alternative pop sound which has callbacks and influences from all kinds of artists, including Pale Waves, Cocteau Twins and HAIM. In total, the band would release 6 EPs and 2 albums, and received a JUNO nomination (the Canadian Grammy's) in 2014 for their Becoming EP. They appeared at Vans Warped Tour 2017, and toured with As It Is, Trash Boat and Holding Absence in 2018, also appearing at 2000 Trees fest that same year.

The sisters felt cast down by their label, which led to their disbandment in 2020. Very soon, their new band, Softcult would be formed. Softcult is more of a indie/dream pop and shoegaze sounding-band, in the same vein as bands such as Loathe, Teenage Wrist and Lush. Please check out Softcult as well, as they are gaining serious heat, as of these past couple years. They will also be going on tour in the US with Movements and Mannequin Pussy, which is a stacked bill adding Softcult on it.

Here are some links which you can use to support the artist(s) music

Courage My Love Spotify

Softcult Spotify

Softcult Instagram

Courage My Love Bandcamp

 

 

 

 

Monday, 27 February 2023

Locater 'Clandestine" album release show review w/ Guilty Sleep, Agapito.

 

Nicholas Gammon and Brendan McLean of Locater playing at the Goodwill Social Club, February 25th 2023. Photo by Justin Fisher

Locater (FKA Louser) played a release show in celebration of their new album 'Clandestine', which was released February 17th, 2023 on No Sleep Records. This is a bit of a recap and review on the shoegaze/punk show, plus some pictures that I took that I liked.

The show opened with the band Guilty Sleep, a newcomer to the indie/shoegaze scene. They just finished recording some music with Griffin of Winnipeg easycore act, A Grizzly Fate on the board. Guilty Sleep consists of guitarist/vocalist Eric Ducharme, guitarist/vocalist Haise, drummer Liam Sewell (of Co Komono/Seweller/Jupiter Meltdown) and bassist Nick Paluck (of Jupiter Meltdown). 

Guilty Sleep perform at The Goodwill Social Club. Photo by Justin Fisher

Guilty Sleep play a blend of grunge and emo influenced shoegaze, with lush guitar soundscapes, big drums and even a telephone mic akin to Deftones. They can make you feel floaty, but also have some fast-paced songs that make you want to jump or mosh. They'll be a band to look out for in the future when they start releasing music. I absolutely loved their set and I can't wait to see more of their stuff. Despite the band name, the bombastic, spontaneously loud sound of this band will not make you want to sleep.

Agapito was the next band of the night, and I went in blindly, having never heard anything. They absolutely blew my mind with their mixture of post/progressive hardcore with a rock and roll energy. Agapito is more-or-less a supergroup, with a former member of Comeback Kid and Mike Peters from Cancer Bats on drums. I didn't get any pictures unfortunately, because I was so entranced by the bands performance. From the lead vocalists' rock and roll attitude to the colourful melodies used on both the guitars and the basslines. There was even a point where the rack tom fell over because of how hard this bands' music hits! This is a band you NEED to see, where the live experience is going to be so much different from a studio release. Keep an eye out for more music and shows from them, and also check out Cancer Bats if you're not familiar with them.

The last band was Locater, of course. Bit of backstory, they used to go under the name 'Louser' until early February 2023, but due to legal issues, were forced to undergo a name change. The band released one 'self-titled' EP under that name, but Clandestine was released right after their name change, after signing to No Sleep Records. The band consists of core members Nicholas Gammon on vocals, Sean Kaye on bass, Nick 'The Fonz' Fondse on guitar and Jesse Hardie on drums. For the release show, Brendan McLean (who has played with Elder Abuse/Higherlows/etc) hopped on 2nd guitar. Some of the bands these core members have played in include: Witchtrip, Ceilings, Elder Abuse and Badfriend. Locater's style is a mixture of grunge and shoegaze, reminiscent of bands like Narrow Head, Teenage Wrist and Nothing. The show itself was intimate, with an awesome vibe when it came to the lighting. I was talking to my photographer friend Brittany Lambert after the show, she was saying when it came to editing, the lighting was a challenge but one that she enjoyed. The projector visuals on the ceiling added a nice effect to the show. The setlist included a good handful of the great tracks from Clandestine, as well as some classics from their 2019 'self-titled' EP including Vitamin L.

Saturday was an amazing night, full of seeing some great friends and even better music. Thanks to Locater, Guilty Sleep and Agapito for the great hangs and the awesome photographers (Brittany, Matt) working the show, as well as the Goodwill for hosting a great weekend of music. Cheers everyone.

Locater Spotify 

Agapito Spotify

My personal instagram

Holdfast/Brittany Lambert Photography

Matt Friesen Photography

 

 

 


 


 

 

Saturday, 14 January 2023

Dead Tired

 

Photo by Nick Ball

Dead Tired are the more hardcore punk-influenced offshoot of vocalist George Pettit's Alexisonfire (alongside the other notable Alexisonfire offshoot, Cunter, who also have members of Moneen). Signed to New Damage Records, they take inspiration from everybody from Iggy Pop to D.R.I. The Hamilton, Ontario outfit has released 3 full-length including the avant-gardesque, bonecrushing 'Satan Will Follow You Home' from 2022. The band currently consists of Pettit (Alexisonfire) on vocals, Theo McKibbon on drums, Marco Bressette (Threat Signal) and Franz Stefanik on guitars, and Nick Ball on bass. Former drummer Chris Whetstone also plays in Born Wrong.

The band formed after Alexisonfire announced that they'd be going on hiatus, and they and released their debut self-titled album on April 7th, 2015. In the years following, while balancing other bands and personal life (including George becoming a professional firefighter), they would go on to release a handful of singles leading up to 2019's Full Volume. 

 Come 2020, where things would start slowing down, Dead Tired were featured in the Amazon Prime show 'The Boys' (Season 2, Episode 5) as a band performing live on stage. Just a fun fact about that show, it is completely filmed in Toronto, Canada, so it's nice to see them get bands that are local.

 Fast forward to 2022, where they would hop on bills such as Past Present Future Fest and Anti-Fest, a festival/show held by punk rock act Anti-Flag, along with Cancer Bats and more. They also played a show with L.S. Dunes, which was their first show in 3 years.

With influences ranging from thrash metal and hardcore punk, to a more avant-garde "cosmic/noise punk" heavily influenced by the likes of Kyuss and Cave-In on 2022's Satan Will Follow You Home, Dead Tired is an essential band for any fan of any heavy Canadian band, whether it be Alexisonfire, Moneen, or Fucked Up. 

 Photo by Nick Ball

Below are some links in which you can support them by listening to their music or buying merch. Cheers! 

Facebook

Instagram

Bandcamp

Dead Tired Merch

Spotify

Apple Music

Thursday, 12 January 2023

Tyler Zanon (Youth Fountain)


I'm happy that I get to do a write-up on Tyler, as he's one of my favorite songwriters in the alternative/heavy music scene currently. I thought it would be a good time to get this one out of the way!
Picture by Ed Abarca

 Bedroom Talk (now known as Youth Fountain) started as the solo pop punk/emo/post hardcore project of Tyler Zanon, who was influenced by bands such as The Used, Movements and Senses Fail to write heartwrenching, hardhitting tracks dealing with mental health, failing relationships and more. Tyler wrote and recorded a demo with the songs 'Blooms' and 'Grinding Teeth' sometime in 2017, as well as posting covers onto his YouTube channel. In late 2017, Tyler would get together with Cody Muraro (Parting Ways, Take The Earth Beneath Us, currently Real Friends), who grew up in Kelowna with Tyler and was originally meant to be just a special feature according to a source close with Tyler. The first Bedroom Talk songs that featured both Cody and Tyler were 'Worried' and 'Grinding Teeth', They would change their name to Youth Fountain soon after and were signed to Pure Noise Records, releasing a self-titled EP in the summer of 2018. Later into 2018, Youth Fountain would start playing shows with bands such as We Were Sharks, Abandoned by Bears, No Liars and more.

When 2019 rolled around, Youth Fountain started releasing handfuls of more teasers and singles for their upcoming debut full-length, 'Letters to Our Former Selves', released in summer 2019 with multiple popular music videos and singles. That year proved to be an extremely busy year for the boys, playing both one-offs with bands such as Calling all Captains and A Grizzly Fate, plus tours with Can't Swim, Free Throw and Seaway. 

In late 2019, Cody Muraro announced that he would be leaving Youth Fountain to pursue other musical projects, but Tyler announced that he would keep the band going as a solo project with him as sole singer with revolving musicians rounding out the rhythm section as he had been already doing. This leads to 2021, the year after we lost live music. The Chicago-area pop punk band Real Friends announced the Cody Muraro would be their new vocalist, replacing Dan Lambton who had left the band in early 2020. Tyler released some singles and an acoustic EP (re-recording of some tracks on Letters) to lead up to the release of their sophomore album, 'Keepsakes & Reminders', which was revealed to the world on November 5th, 2021.

Picture by Kyle Pigeau

2022 was also a very busy year for Tyler and Youth Fountain, more recordings being released (covers of 'www.nevergetoveryou.com' + 'Light Switch' + a deluxe version of Keepsakes & Reminders) plus tours with Four Year Strong/Knuckle Puck, Cory Wells and Belmont.
From what I can tell, 2023 is going to be another big year for Tyler, as he wants to release an acoustic EP, and go on another Canadian tour! 

Tyler Zanon is one of Canada's freshest and finest songwriters in rock, and with touring experience in Canada, USA and Europe with many other pop punk and emo bands (including with some who have in some way possibly shaped his writing style), Tyler is proving to be one of the scene's next biggest things within the years to come.

Below are some links for Youth Fountain which you can use to listen and support them.

Youth Fountain Bandcamp

Youth Fountain Twitter 

Merch

YouTube

Instagram

TikTok

Website

Tuesday, 10 January 2023

A Grizzly Fate

 To start this entry, we first have to define a subgenre. What is easycore? Simply said, it's a form of hardcore that employs elements of pop punk. This includes riffs and breakdowns in major keys, poppier and happier hooks (just a focus on hooks in general) and on occasion, synthesizers and sampling. Bands who have been put into this subgenre include A Day To Remember, Four Year Strong, The Wonder Years and Settle Your Scores.

Photo credit: Brittany Lambert (Holdfast Photography)
A Grizzly Fate

The first band on here is Winnipeg's own A Grizzly Fate, the pop-punk/metalcore crossover act. As of 2023, the lineup includes vocalist James Blicq, guitarists Avery Dominguez and Zach Skelly, bassist and producer Griffin Jenkins and drummer Rohit Saini. All members have an expansive variety of influences including The Wonder Years, Capstan, Four Year Strong and the entirety of deathcore as a whole. With members having experience in different music scenes across Manitoba - Griffin has played in the emo pop-punk band Still as Scarlet with fellow former AGF member Ryan Van Dale; Avery played in Planeshifter up until 2020 and Zach plays in Steady Glow and Co Komono. Another former member of the band is Carlton Flanagan, who currently is the vocalist of Planeshifter.

James and Avery had the idea to form an easycore band as far back as 2014. After going through many members in these very early days (with James and Avery as the 2 constant members), they settled on their first lineup under the band name 'Underachiever', in which they played their first gig with Alone I Walk at The Ellice Theatre (R.I.P.) in October of 2015. Underachiever would release one song before their name change, entitled 'Fuck You, Frank'.

Within the next few years, they would play various shows at venues in and out of Winnipeg, including house shows, with varied lineups. It wasn't until 2018 where they would solidify the rest of their lineup and rebrand as A Grizzly Fate, about the same time when they released their debut single "Sleep When You're Dead, Kid". Since then, they have released a full length album ('Treading Water') and 2 more singles. In the past 5 years, A Grizzly Fate has opened for many larger bands including Cancer Bats, Calling All Captains, Youth Fountain and Capstan, as well as classic locals such as Prinport and Broken Nose Mall Santa.


Don't let the band's grizzly, fierce nature of their sound scare you away, these are some of the nicest men in the Canadian punk music scene. Check these guys out when they go back to performing live in 2023. Thank you to James Blicq for taking the time to answer some of the questions I had for him about the band.

Here are some links to their music and merch/social media pages.

Facebook

Instagram

Bandcamp

Apple Music

Spotify

YouTube

 Last.FM